Its 20 times since Tony Blair reshaped Britains economy around the arts, more the projects legacy is an exploitative sphere dominated by people from an astonishingly small-scale demographic pool
It was the most high-profile moment of New Labours Cool Britannia safarus: a fete of a modern, outward-facing Britain with a brand-new kind of manufacture, and a brand-new kind of workforce.
We appreciated it as a chance to redefine what the UKs financial future would be about, recalls John Newbigin, then a government special advisor on culture, of Tony Blairs garish Downing Street festivity for the great and good of the UKs creative industries, comprised 20 years ago this month. Not only plants or pinstriped bankers, but innovative financiers drawn from across society.
Ever since, the creative industries have been a favourite of the British government and media. Successive “ministers “, including Theresa May, have hosted acknowledgments for the recreation and mode manufactures, and lauded the UK as a ethnic powerhouse that generates jobs and money for the country.
One of the UKs little-known exportation achievers in recent years has been creative industries plan, adds Newbigin. Countries hire British consultants and professors to develop their own strategies for the sector.
According to Unesco, such sectors now accounts for more than$ 2tn worldwide, or 3% of “the worlds” total economy. But who, accurately, is benefiting from this swelling of Britains creative industries? For behind the glamorous episodes and economic prestige, there remain profound issues of inequality, exploitation and paucity of opportunity.
The 2015 Oscars were notorious for the absence of ethnic diversity among campaigners, and the quarrel was reiterated at this years Baftas, which disclosed how top British performers were overwhelmingly drawn from wealthier homes and fee-paying institutions. In the music manufacture, there was a high-profile spat in 2015 between Labour MP Chris Bryant and vocalist James Blunt, after Bryant grumbled the industry had now become dominated by those from privileged backgrounds. Blunt, who attended Harrow School, responded by calling Bryant a classist gimp .